Miamidrums.com interview

I did a healing drum workshop in northern Florida at River Rondezvous, Convict Springs close to Branford, Florida, West of Gainseville on hiway 27. Miamidrums.com did great interviews with different drummers appearing there. Check out the nice interview!

http://www.miamidrums.com/

I am busy drumming around the country. It is a great honor to work with so many people willing to discover the therapeutic aspects of drumming. I realized twenty years ago that I would not be able to do this forever. I have had a great life as a touring and recording drummer for many years. I got to play with Frank Zappa, Duane Allman, Baba Olatunji, Tim Buckley, Mike Bloomfield, Big Joe Turner, Peter Ivers, Charlie Dechant, Panama Red and many other great musicians. I have learned from everyone, including the people who have never hit a drum before.

I seem to be the proponent for a style of drumming that is not traditional African djembe drumming. I love and respect African Drumming. I seem to be working with people who are interested in finding a sacred form of drumming that is indigenous to our country-the US. Since we are such a mix of peoples, I chose to use the basic rhythm and blues grooves that have been the mainstay of American pop music for a hundred years. This is based on African, but also European rhythms, Native Indian, Caribbean, South American as well as Far East. We are a mix of grooves.

The unifying concept of the DOWNBEAT is that it is the common note that we can all relate to. This is a uniquely American word. It was invented in New Orleans. When all the various types of people came together there several hundred years ago, they wanted to play music but did not know each other’s musical styles. So all these different people gathered in what became “Conga Square” decided to create at least ONE NOTE that they all could agree on. That was the DownBeat. The downbeat is the beginning note of any rhythmic phrase-short or long. It is a comforting concept because everyone gets lost and there is no need to get upset when that happens.The downbeat will be coming back around again and you can get back on the groove by finding the downbeat. This is different than traditional African drumming where everyone plays classically developed parts and the masters are soloing.

In the Downbeat method of drumming, the basic pattern is simple enabling anyone to solo over the groove. We are a busy culture, and do not have time to learn traditional African drumming. We created the original world beat right here in th US. It is rock n roll, the Blues, Soul music, Country, folk, Rhythm n Blues. I chose these grooves to drum with because we already know them. Everybody knows them. In just a few minutes, the group finds the common groove and can get to the fun part which is creating. Playing rehearsed parts is fine, but most people don’t learn the same parts. So the trick was to invent a form of drumming where we could all play immediately. The requirement is that the downbeat be supported by EVERYONE. That means each person can try to solo a LITTLE BIT, then get back to supporting the DownBeat for other people to solo but more importanly to hold the feel of the groove. Otherwise there is only aggressive banging or rigid parts that have no nurturing feel. We have great grooves in this country. Learning traditional is wonderful but don’t ignore your own heritage- jazz and rock n roll are the most pervasive music in the world. Partly because of the commercial distribution but also because there is truth and soul in our grooves. That means people relate to these grooves.

This study of the downbeat then lead to the amazing healing aspects of the groove. this is not just a feel good form of drumming. There are specific protocols that elicit predictable affects in the person doing the drumming. Conditions can be treated. Contact me for healing drum therapy sessions.

Posted in Uncategorized | Leave a comment

Drum Lesson live

Watch live video from Buddy Helm Drumming on Justin.tv

Posted in Uncategorized | Leave a comment

Helmtone Drum Therapy Seminar Gulfport, St. Petersbsurg, Fl

The Longhouse in Gulfport, Florida is a wonderful healing center. They offer a lot of modalities for healing

http://www.longhouse.info/

If you are interested in learning more, You can subscribe to the Helmtone page and see the full workshop as well as a lot of other notes and Ideas and drum therapy protocols

to subscribe email us: email Russell Buddy Helm


“I have happiness” drum meditation at the Longhouse


Posted in Uncategorized | Leave a comment

convict springs north florida

I’ll be at Convict Spring Saturday, Sept. 6, 2008

Having a drumming workshop from 5 til 7 pm price is $20 (plus camp admission fee))

Followed by the community drumming circle starting at sunset (No charge)

River Rondezvos 386-294-2510

www.flickr.com

russelbuddy's items Go to russelbuddy’s photostream

Posted in DRUMMER'S JOURNEY, drumming workshops, healing drums, Uncategorized | Leave a comment

Charlie Dechant Buddy Helm Flute Drum Jam part 2 July 2008

Posted in DRUMMER'S JOURNEY, MUSIC JAMS, Uncategorized | Leave a comment

Full Moon Dolphin Sailboat drumming cruise

We had a great time drumming on Capt. Dan’s 46 foot sailboat. We saw some big manta rays, and the full moon was awesome!

Sign up for the August Full moon! It’s a blast! August 17, Sunday

Sunday, August 17 6:30 til 10PM $50, (Drum rental $10)

To Reserve:
www.dolphinlandings.com
727-360-7411
Dolphin Landings Charter boats
4737 Gulf Blvd, St. Pete Beach, Fl. 33706


Posted in DRUMMER'S JOURNEY, DRUMMING ADVENTURES, Uncategorized | Leave a comment

Subterra invocation

Drumming below ground in a refurbished missile silo. Kansas concert hall

Posted in DRUM LESSONS, DRUMMER'S JOURNEY, drumming workshops, Uncategorized | Leave a comment

Charlie Dechant & Buddy Helm Flute djembe Orlando july 22 prt 1

Posted in DRUMMER'S JOURNEY, MUSIC JAMS, Uncategorized | Leave a comment

Unity Church in Lawrence, Kansas July 9, 08 ………………………………………………

Posted in DRUMMER'S JOURNEY, drumming workshops, healing drums, Uncategorized | Leave a comment

Christian Gandhi Syndrome band in Key West Live

Here are some long lost tunes from 1971.

We were in Key West playing at the Great Escape Lounge at the Key West Airport

Key West…part #1

Key West.. Part #2

Zanzibar….part #1

Zanzibar…part #2

Woodstock(instrumental)

Kenny Dixon(Bass), Charlie Dechant(sax, flute, guitar, piano, vocals), Christian Gandhi(electric piano, Alto flute,), David Tasse(sax), Sherry?? (vocal) Buddy Helm(Drums), and Roger Cruz(vocals, congas, alto sax)

We left Coconut Grove under a new name. Bethlehem Asylum no longer existed. Christian put this band together and so we called it the Christian Gandhi Syndrome as a joke, but it stuck.

The Great Escape lounge was a place of strange people and situations. The Key West Airport closed at Sunset back then. The chairs were put up on the tables and everyone went home in the airport.

That’s when Dieter and his wife, Maris came to open the funky dive of a nightclub. Dieter was from West Germany, Maris was a princess from Miami beach. They had a strange symbiotic relationship that was loving yet bizarre.

We played for the odd assortment of people that passed through Key West, but did not want to go down to Duval street where the regular military and college joes hung out. The Great Escape lounge was out at the edge of town, and you had to know how to get there.

There were spies, and bikinied beauties dancing and drinking with off duty soldiers from Belfast still wearing their kilts.

Once we were playing an instrumental version of “Woodstock” when….I glance back over my shoulder, I was sitting at the drumset up on stage in front of a huge plate glass window that stretched up and out in classic 50’s architecture. The landing strip was dark-no landing lights. The jungle hung close by the little tarmac strip. A small Piper cub dropped down out of the dark new moon night sky and lightly touched down on the landing strip, completely unaided by modern flight equipment. This was a tree top flier. Then out of the shadows came a long low Chevy station wagon, also without running lights. They met in the faint moonlight like two animals hunting for love. They exchanged whatever mysterious cargo and payment was required and the plane lifted up and silently flew away into the moist night. The station wagon also cruised away into the Key West shadows. We finished the song and everyone had another beer on the House. Dieter was a consummate host.

more music:

Blues Walk

Boogie

Posted in DRUMMER'S JOURNEY, DRUMMING ADVENTURES, HISTORICAL, Uncategorized | 3 Comments